Issue One page 6

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Yes!! I like Jim already! Someone who loves and can seriously talk about Ninja Turtles!


Or the “Hero Turtles”. That’s what the comic book was called in Britain (and most of the rest of Europe). From what I’ve been able to find on the web, “Ninja” was fine as long as it was just a comic book marketed to teens and adult nerds, but when the Saturday morning cartoon arrived, “Ninja” was considered too violent a word for the children that the cartoon was marketed for.

They had a problem with Michaelangelo, too. The cartoon had a bunch of edits because the censors also had a problem with his nunchaku. Leonardo’s swords, Raphael’s Sai, and Donatello’s bo staff were fine. But Mikey *using* his nunchaku? Oh, they couldn’t let the kids see that! So they edited every scene where Mikey starts swinging his weapon around, which caused a lot of continuity problems (“the kids won’t notice”… trust me, I know a guy from London. He said when he was five years old, he definitely noticed.)

The toys and video games didn’t censor the nunchaku. Apparently video games weren’t considered important enough to bother censoring (not back then, anyway)… and you’d think that instead of picking on Mikey’s nunchaku, they would’ve censored the swords or sai or sharp pointy objects designed to stick people with, right? In a bit of irony, in the recent Nickelodeon version, they DO censor the swords on several occasions.

I have no idea why the censors in the UK had such a vendetta for nunchaku. They censored Bruce Lee’s “Enter the Dragon” in the same way… In the scene where Bruce infiltrates Han’s underground base, he smacks the crap out of the guards and then grabs a pair of nunchakus. Bruce then does the iconic scene where he shows off his prowess with the nunchaku. The entire scene was cut by the BBC censors, so in the UK, Bruce went from beating up guards, to suddenly running into a trap in the next scene. But they had no problem at all with the scene where Bruce gets cut with Han’s metal claw.

It’s probably a good thing I don’t work in the censorship business, because if I did, plenty of things would get released that kids shouldn’t see. In my mind, it’s the parents’ responsibility to monitor what their kids watch on TV and play as video games; it shouldn’t be up to a group of people sitting around a table deciding what’s appropriate and what isn’t. I know that when I’m a parent (someday), I’ll be keeping an eye on what my kids watch, and if I think it’s not good for them to watch, then they won’t watch it. I’m not going to let some dumbass in a suit decide what’s good for my child to watch, because if it was up to them, my children would probably only watch something like Barney for the rest of their lives. (Now THERE’S a show that can turn a child into a psychopath.)


I have to wonder (hopefully not spoiling any new readers here), how did Merial and Jim (and Greg too) figure each other’s secrets after meeting each other?


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the tumbles
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    Hey y’all, are you in Seattle next week? Are you going to @emeraldcitycomicon??? Well heck, so am I!

    BOOTH 312!

    I have some NEW things this year (prints, buttons, stickers) and all my favorite old stuff! This is one of my favorite shows of the years, so if you’re going, come stop by and see me!

    I’m at Booth 312, RIGHT across from Image! Can’t find me? Look to the sky, find the giant IMAGE banner. Follow that, I’m over there. I’m sharing a giant booth with @kelmcdonald, @evandahm, @meredithmcclaren, @thejoepi, @katedrawscomics, and Ma’at Crook! It’s your one-stop shop of great independent art and comics! Right up in the front of the convention!

    Booth 312!!

    04/03/16

Art and Story © Kory Bing 2006-2015
Anthony Gillis, Blanche Noir, Rupert Burton-Fitzgerald, Pheonix, and Royce Carmikal created by Sfé Monster.
Alec Hyde, Ike Sanford, Sam Hain, Rhonda Phelton, Dermot Ainesborough created by Sheana Molloy.